DAIMAS BATTLE MATRIX - FORENSIC HOPLOLOGY

I - BEGINNING CONCEPTS

OBJECTIVE
Direct all direct action towards a clearly defined, decisive, and attainable objective.

OFFENSIVE
In direct action seize, retain, and exploit the initiative.

MASS
Concentrate all direct action power at the decisive place and time.

ECONOMY OF FORCE
Allocate minimum essential direct action power to secondary efforts.

MANEUVER
Place the threat force in a position of disadvantage through flexible application of direct action
power.

UNITY OF COMMAND
For every objective, insure unity of effort under one responsible commander.

SECURITY
Never let the threat force acquire an unexpected advantage.

SURPRISE
Strike the threat force at a time and/or place and in a manner for
which he is unprepared.

SIMPLICITY
Prepare clear, uncomplicated plans and clear, concise orders to insure
thorough understanding.

II - ADVANCED MATRIX

SPHERE OF INFLUENCE
1.Obscure SOI
2.Actual SOI
3.Neutral SOI
4.Projected SOI
5.Unified SOI

DEMARKATION LINES OF ADVANCE
1.Forward Edge
2.Pressure Edge
3.Release Edge

CONE OF ENTRY & EXIT
1.Impact Point Gradient
2.Impact Point
3.Terminal Point
4.Terminal Point Gradient
5.Apex

PATHS OF INFLUENCE
1.Ground
2.Aerial
3.Simplicity
4.Infinity

ECONOMY
1.Invisible action
2.Motion economy
3.Sustained effect

CONTACT APPLICATIONS DRILL
1.Contact Centralization
2.Contact Initiation
3.Contact Acceleration
4.Contact Pressurization
5.Contact Penetration
6.Contact Manipulation
7.Contact Immobilization
8.Contact Unification

TARGETS & ATTACKING
1.Targets of Focus
2.Natural Lines of Drift
3.Targets of Circumstance
4.Positions of Attack
5.Line & angle of Attack

TARGET HARDENING & DEFENDING
1.Zones of protection
2.Defend with action
3.Action causes reaction
4.Readiness & reflex

III - STRATEGIC STANDARDS

TEMPLATES

1. Training -MBS
A. Physical Ideal B. Mental Purging C. Physical Renewal D. Mental-Physical Interface E. Spiritual Rooting

2. Environment
A. Unaware Focus B. General Focus C. Specific Focus D. Imminent Focus E. Line of attack F. Object resources G. Terrain

3. Maneuvering/Positioning/Alignment
A. Objective B. Maneuver C. Angles of Approach D. Directional Angles-off target E. Linear F. Rotational G. Target H. Weapon I. Contour/fit/tracking J. Alignment of Back-up Mass K. Marriage of gravity/settling/torque L. Sanctuary

4. I-R Intent
A. Implied B. Real

5. Use of Force/Time
A. Controlled B. Creation C. Utilization D. Compression of time E. Escalation of Force F. Check/Jam/Stall

6. Ranges
A. Extended B. Long C. Medium D. Close

7. 3D Harm
A. Defend B. Distract C. Disturb D. Harm

8. Effect/Set/Counters
A. Cause effect B. Set-up next move C. Neutralize counters

9. Zones of Cancellation
A. Outer Edge of Efficiency B. Quadrant/Dimensional Applications C. Height D. Width E. Depth
F. Obscurity

10. Completeness
A. Response B. Follow Through C. Submission

IV - STRATEGIC CONCEPTS

INITIATIVE, DEPTH, AGILITY, SYNCHRONIZATION

V - LEVELS OF CONFLICT
Three interrelated features of operational art: size, balance and comprehensiveness.

Size – There now exists a certain magnitude of force and geography. It is the sheer number of forces that have driven the need for operational art. From a doctrinal standpoint, size marks the evolutionary growth in importance of the term "policy intent." As the battlefield has grown in size, spurred by technological advances in threat weaponry application, combat decision making has been forced down to the troops in the trenches. Clearly written intent statements provide the necessary direction for direct action when the original plan no longer fully applies.

Balance – Balance represents the paradox in warfare. In order to perform or display a necessary capacity, one must have the ability to achieve its opposite effect. For example, the endless debate between maneuver and firepower is one of balance. You must maneuver in order to bring effective blows on the threat. You bring effective blows on the threat so that you can maneuver. One could not happen without the other. Balance also includes, but is not limited to, linear/nonlinear, sequential/simultaneous, offensive/defensive and centralized/decentralized considerations.

Comprehensiveness - Infers a holistic approach to direct action that is focused on the objective. Not only does it mean the use of all available tools-joint, combined, stability and support-but it also requires a proper understanding of a beginning and an end to the conflict. Direct action art has become the planning, execution and sustainment of temporally and spatially distributed maneuvers and battles, all viewed as one organic whole.







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